Showing posts with label Vault Series. Show all posts
Showing posts with label Vault Series. Show all posts

Saturday, 19 November 2011

TEA on Tour - Part 2


Amongst bleating cattle I boarded Easy Jet flight 5415 to Berlin to take part in Tobias Rapp's Berlin and the Easy Jet Set (plus a few extra days). As I stared onto the concourse I found myself conjuring up excuses of how I could exempt myself from Rapp’s cliché, I am staying for 6 days, I do have friends in Berlin, I’m not just going to Berghain, I can count to zehn in Deutsch... A slight delay had me land at Schoenefeld Airport around 10:00pm and thanks to some touristic errors I made my Frankfuter Tor destination by 11:30pm-ish. Bags dropped and two (novelty size if your Australian, the norm if your German) Weißbier’s later I was on my way by foot along Karl Marx Allee (excitedly poster spotting along the way) to Weekend to see Ed Davenport and Oliver Deutschman.


Up the elevator with not a word spoken to the hazy lift attendant I entered Weekend unknowingly walking straight through eight friends arm in arm posing for a photo, not exactly Berghain. I looked on as Davenport banged out some hard hitting house with some trademark E-D bottom end to boot. El Carlsberg flowed and before I knew it was was nigh on 5:00am and time to make tracks back down the Karl Marx.


TV Tower en route to Weekend.


Friday morning saw a shower, coffee, croissant and trip Weinmeisterstraße for some new threads with old mate Fred Perry. Feeling almost dapper with my three new purchases a late lunch at Monsieur Vuong’s Indochina cafe called as I indulged in a light Vietnamese laksa and some green tea. Feeling human again I made the short trip south to Gneisenaustraße for some record shopping at Space Hall. Around 2 hours and fifteen records later I was U-Bahn-ing it back to HQ for some rest, pizza & biers and rest before hitting Henning Baer’s Grounded Theory 12 with Ben Klock, Delta Funktionen, Vault Series (Live) and Mr Grounded Theory himself Henning Baer.


Arena Club just south east of Berlins Mitte near Treptow was originally designed and built in 1927 for the intention of housing the omnibuses of Berlin’s public transport services, but was then re-assigned as a weapon’s arsenal for the Third Reich. Arena Club is tucked in amongst a barrack of industrial framework and was unusually quite on approach, leading me to think had I come to the right address. Those thoughts were quickly dispelled as lowly muffled throbs pulsed through Arena’s brick walls. A hushed line up consited of some whispered conversation where not surpringly the only distinctive voice to be heard was a group of American’s, their saving grace being a conversation about DJ Harvey. Nothing beats the feeling of entering a club when the night is young and this time I entered Arena to Henning Baer playing Conrad Van Orton's - Shattered, an artist I had funnily enough been telling friends about that day. Arena’s club was already quite full and a packing a friendly vibe, even when the bar ran out of beer. Beers were soon flowing again and so were Subjected and Moerbeck performing live as Vault Series and as to be expected were heavy on the four four German-ness to the rampant applause of Grounded Theory.


Rubbing shoulders with many of the artists whom have featured on TEA and the enthusiasm of Arena in general was a nice lead up to the start of big 'n' bustling Ben Klock's set. Oozing techno, Klock kept his first half very melodic, with comparable sounds to his Compression Session EP. The second half had Ben bring it home to the delight of one patron swinging his shirt swing above his head for the greater part of his set. I'd be lying if I said I didn't experience a Ben Klock moment like so many of us have. I took respite from a more crowded part of the dancefloor and pushed my way to the rear where I managed to find a small stepper elevating me above the dancefloor. What I saw next turned me from stoned face techno obsessive blogger to blushing prepubescent school boy as 3 german girls exchanged heats of passion, which to be honest it was a welcomed change from the usual same sex debauchery seen on German dance floors.


I took further respite on Arena’s viewing deck as Klock finished off his set to the cheers and hurrahs of a party not close to finishing. Delta Funktionen took over from Klock with some heavy hitting, deep and "Nu Skool" electro easing in from Klock’s thunder and lightening. Calling it a night I was handed a copy of Vault Series Vol.7 by Subjected a former interviewee and podcaster for TEA capping of night two of my Easyjet Set adventure.


Talk of Berghain at the moment is about as worn out a screen print T-Shirts of Kate Moss sold at Camden Market, so I'll keep it brief. Disappointingly missing out on Shifted's set I caught Planetary Assault Systems bang out Rip The Cut, Kray Squid, Bell Blocker (A DJ's favourite) and Wriss, followed by some loopy James Ruskin techno. High fives all round to Ruskin for dropping Thomas Bangalter’s - Outrun. Nearing my 8th hour inside Norman Nodge lived up to the reputation of what a Berghain resident should and his mix of Blawaan’s What You Do With What You Have was certainly a work out.


Berlin Purchases.


My remaining three days in Berlin essentially only consisted of rest, record shopping, donor kebap munchings und eine kaffe’s. This was my fourth trip to Berlin so I can confidently say that I had seen enough of the cities touristic attractions to not feel guilty about dusting up the knuckles for three days. Hardwax was my first port of call and I arrived at 11:00am, a little too keen, let's say one hour too keen as Hardwax opens at 12:00pm. I took a stroll along the Spree and made sure my return to Hardwax was at 12:15pm, don't want to look to keen right? gimme gimme gimme.


Two hours later I was mechanically and unemotionally processed at the register with what was close to 150 euro’s worth of records. Next up was the very friendly OYE Records located just off Schonhauser Allee up from Senefelderplatz. Listening to some records at my listening booth I was politely interrupted by a woman who explained to me that a German news crew were filming in the shop and that I would be in the background whilst the presenter did her thing. If any one reading this happens to see a German news story on OYE Records please let me know as I'd love to see it. I remember listening to this during filming. Last stop was Mitte Musik just off Warschauerstraße, a bulging bag full of records had me telling myself to relax and not buy everything on sight but the Mitte Musik guys had me at hello with their impressive Fachwerk selection, sold.


Weighing in at?


Wednesday I managed to quickly catch up with Henning Baer for a quick coffee and was treated to a sneak peak inside K209's studio, it’s no lie when they say techno made in a Berlin basement. As I hopped the S9 headed back to Schonfeld I huffed and puffed breaking into a small sweat lugging around what was in total close to 50 records. I packed light for Berlin knowing I would be bringing back some records, only I didnt expect my binge to be as big as it was, or at least I told myself that. I made my way to counter to check in my bag and attemped to casually lift it on the weigher, I wasn’t fooling anyone as I no doubt looked like an olympian weight lifter about to buckle, pulsating vien in the middle of the forehead is always a good too. I ended up checking in at 19.6 Kg’s, 0.4 Kg's under the limit, not bad going considering I had more in my hand luggage.

Saturday, 30 April 2011

Last Chance!


Marcel Dettmann Promo (Mixed By James Manning) - Electric Circus Sep 16th 2010 by TEA Music


TEA's Soundcloud page has been upgraded so for your last chance download James Manning's promo mix (which was a bit of a hit) for TEA's soirée with Marcel Dettmann in September of last year.


Now is the time to download as it will be taken down as of next week to make way for some of the exciting new podcast's we have coming up!


Subjected's exclusive Vault Series mix has also been re-uploaded for you streaming and downloading pleasure.


Grab them while you can!

Monday, 24 January 2011

TEA with Subjected (VAULT SERIES)


Far removed from the ministry of airbrushed babes and headphones only worn around the neck, comes 2010's Berlin boom town record label VAULT SERIES

VAULT SERIES has joined the likes of Horizontal Ground and Pom Pom in prioritising their music over their personalities. The three-pronged VAULT SERIES crew no nothing other than booming kick drums and four-four time signatures representative of a German disposition.

Over email correspondence TEA caught up with Subjected for a quick exchange on German industrialism and black tea, naturally.




You started VAULT SERIES in 2010. Tell us about your inspirations and influences leading up to starting the label?

The idea of Vault was first thought of in 2009 or even earlier. Sawlin and I had shared the same passion for dark techno but had no way of releasing it because at that stage it was too early. We were collecting and producing tracks but no one really showed an interest so I said 'Fuck it, lets do our own label, I’ll send our stuff to a distributor and see how it goes'. After a few weeks we had a contract with Intergroove.

You initially started the label as a means to release music for yourself 'Subjected' as well as Sawlin and Moerbeck. Tell us about your relationship with these two.

I’ve known Moerbeck for around 9 years. We lived in the same district and I often spent time with him chilling at his flat. He was already making music but it was more hip hop than electronic. We always wanted to produce music but their were always other things going on. Then Moerbeck and Sawlin started working together where they shared and developed a similar style. Eventually I met Sawlin and we began to produce. Moerbeck and I moved to different districts and didn´t see each other as often. When I had the idea for Vault, Sawlin showed me some Moerbeck tracks and his productions represented our idea of techno. I called up Moerbeck and told him my plan for the VAULT SERIES and now all three us of meet regularly to produce music and share a great friendship.

Tell us more about Sawlin and Moerbeck.

Both have been making music for over 10 years and love their analogue instruments. Both are freaks in edging, shaping and cutting their own sounds. Sawlin is also the big daddy, I learned a lot from him. He also has a great ear for mixdowns. And Moerbeck? He is a extremely creative person with his own distinctive style that fits the Vault Series perfectly.


The VAULT SERIES idea of techno is ‘raw and industrial with heavy distortion and experimental soundscapes’. Can you elaborate on your style of techno and what you are trying to express.

We are trying to express the dark, rough and strange elements in music. Music under the surface and out of a Vault. If a sound is to clean we often don’t take it, we are searching for unique strange sounds that you haven't heard before.

The collaborations between the three VAULT SERIES artists must be a very special thing. You all have a very similar yet individual ideas and principles of techno. Tell us a bit more about these collaborations in the studio.

That’s hard to explain. We know how a track has to sound. If there is an element that is to simple we say “this has to be more aggressive or more effected” so we edge and mould our sounds until the result is perfect and everyone is confident with the final product.

Will VAULT SERIES remain solely as a platform for releasing Sawlin, Moerbeck and Subjected music?

For the next few years, yes. Only Sawlin, Moerbeck and Subjected.

Tell us about the Vault Series live?

Yes, Sawlin and I together played our first live gig at Berghain in September 2010. Further live and DJ gigs are planned. We are also working on a larger scale live performance where all three of us will be jamming, improvising and djing together at same time.


How did you find yourself first effected by electronic music and what eventually led you to producing?

It all stems back to the first nights when we started heading out to clubs. We didn’t know each other at the time but the process of how we got into electronic music was the same. As kids we did graffiti, made hip hop and listened to jungle. Then we started going to clubs like E-Werk and Tresor. I heard so much new music and that was the point where I began to DJ and produce. For all of us those nights were very inspiring. The artists we saw are too many to mention but sounds from Detroit like Model 500, Robert Hood and the whole UR thing played a big part. Nowadays we are feeling industrial and dark sounds from artists like Milton Bradley, Xhin and Ancient Methods.


The VAULT SERIES is doing its part in keeping techno underground. How important do you think the role of anonymity is in techno?

I think anonymity and keeping it underground results in our attitude. The music and its output is more important then how many friends or pictures you have on your myspace or facebook account, who cares about that when your output is cheap and boring. This extroversion is sometimes very embarrassing and that’s none of our business.

Tell us about your involvement with Grounded Theory and do you have any plans for a VAULT SERIES label night?

I can't say whether there will be a Vault Series party in the future, but we are working on improving our VAULT SERIES live and DJ showcases. As for Grounded Theory, they have the same idea of representing music as VAULT SERIES. The face value of the artist is not as important, but rather the image of the music and the label. That’s what I like. I’m very happy to be working with Grounded Theory.


Looking back on 2010 how did you find running the label in its first year?

It’s been great and I’m also surprised, our music is played worldwide and the feedback has been mind blowing.

How far would you like the label to eventually branch out?

I’m not sure yet, I haven't had time to think about it. At the moment I’m taking it one step at a time.


What have you got planned for 2011?

No real master plan. We will be releasing new Vault tracks and maybe by the end of 2011 we’ll have the first VAULT SERIES LP, but at the moment we really don’t know.

What is your favorite tea?

Black tea of course… a tea like a vault.

Download Subjected's exclusive VAULT SERIES mix for TEA which includes some new and unreleased tracks.