Showing posts with label Ed Davenport. Show all posts
Showing posts with label Ed Davenport. Show all posts

Saturday, 19 November 2011

TEA on Tour - Part 2


Amongst bleating cattle I boarded Easy Jet flight 5415 to Berlin to take part in Tobias Rapp's Berlin and the Easy Jet Set (plus a few extra days). As I stared onto the concourse I found myself conjuring up excuses of how I could exempt myself from Rapp’s cliché, I am staying for 6 days, I do have friends in Berlin, I’m not just going to Berghain, I can count to zehn in Deutsch... A slight delay had me land at Schoenefeld Airport around 10:00pm and thanks to some touristic errors I made my Frankfuter Tor destination by 11:30pm-ish. Bags dropped and two (novelty size if your Australian, the norm if your German) Weißbier’s later I was on my way by foot along Karl Marx Allee (excitedly poster spotting along the way) to Weekend to see Ed Davenport and Oliver Deutschman.


Up the elevator with not a word spoken to the hazy lift attendant I entered Weekend unknowingly walking straight through eight friends arm in arm posing for a photo, not exactly Berghain. I looked on as Davenport banged out some hard hitting house with some trademark E-D bottom end to boot. El Carlsberg flowed and before I knew it was was nigh on 5:00am and time to make tracks back down the Karl Marx.


TV Tower en route to Weekend.


Friday morning saw a shower, coffee, croissant and trip Weinmeisterstraße for some new threads with old mate Fred Perry. Feeling almost dapper with my three new purchases a late lunch at Monsieur Vuong’s Indochina cafe called as I indulged in a light Vietnamese laksa and some green tea. Feeling human again I made the short trip south to Gneisenaustraße for some record shopping at Space Hall. Around 2 hours and fifteen records later I was U-Bahn-ing it back to HQ for some rest, pizza & biers and rest before hitting Henning Baer’s Grounded Theory 12 with Ben Klock, Delta Funktionen, Vault Series (Live) and Mr Grounded Theory himself Henning Baer.


Arena Club just south east of Berlins Mitte near Treptow was originally designed and built in 1927 for the intention of housing the omnibuses of Berlin’s public transport services, but was then re-assigned as a weapon’s arsenal for the Third Reich. Arena Club is tucked in amongst a barrack of industrial framework and was unusually quite on approach, leading me to think had I come to the right address. Those thoughts were quickly dispelled as lowly muffled throbs pulsed through Arena’s brick walls. A hushed line up consited of some whispered conversation where not surpringly the only distinctive voice to be heard was a group of American’s, their saving grace being a conversation about DJ Harvey. Nothing beats the feeling of entering a club when the night is young and this time I entered Arena to Henning Baer playing Conrad Van Orton's - Shattered, an artist I had funnily enough been telling friends about that day. Arena’s club was already quite full and a packing a friendly vibe, even when the bar ran out of beer. Beers were soon flowing again and so were Subjected and Moerbeck performing live as Vault Series and as to be expected were heavy on the four four German-ness to the rampant applause of Grounded Theory.


Rubbing shoulders with many of the artists whom have featured on TEA and the enthusiasm of Arena in general was a nice lead up to the start of big 'n' bustling Ben Klock's set. Oozing techno, Klock kept his first half very melodic, with comparable sounds to his Compression Session EP. The second half had Ben bring it home to the delight of one patron swinging his shirt swing above his head for the greater part of his set. I'd be lying if I said I didn't experience a Ben Klock moment like so many of us have. I took respite from a more crowded part of the dancefloor and pushed my way to the rear where I managed to find a small stepper elevating me above the dancefloor. What I saw next turned me from stoned face techno obsessive blogger to blushing prepubescent school boy as 3 german girls exchanged heats of passion, which to be honest it was a welcomed change from the usual same sex debauchery seen on German dance floors.


I took further respite on Arena’s viewing deck as Klock finished off his set to the cheers and hurrahs of a party not close to finishing. Delta Funktionen took over from Klock with some heavy hitting, deep and "Nu Skool" electro easing in from Klock’s thunder and lightening. Calling it a night I was handed a copy of Vault Series Vol.7 by Subjected a former interviewee and podcaster for TEA capping of night two of my Easyjet Set adventure.


Talk of Berghain at the moment is about as worn out a screen print T-Shirts of Kate Moss sold at Camden Market, so I'll keep it brief. Disappointingly missing out on Shifted's set I caught Planetary Assault Systems bang out Rip The Cut, Kray Squid, Bell Blocker (A DJ's favourite) and Wriss, followed by some loopy James Ruskin techno. High fives all round to Ruskin for dropping Thomas Bangalter’s - Outrun. Nearing my 8th hour inside Norman Nodge lived up to the reputation of what a Berghain resident should and his mix of Blawaan’s What You Do With What You Have was certainly a work out.


Berlin Purchases.


My remaining three days in Berlin essentially only consisted of rest, record shopping, donor kebap munchings und eine kaffe’s. This was my fourth trip to Berlin so I can confidently say that I had seen enough of the cities touristic attractions to not feel guilty about dusting up the knuckles for three days. Hardwax was my first port of call and I arrived at 11:00am, a little too keen, let's say one hour too keen as Hardwax opens at 12:00pm. I took a stroll along the Spree and made sure my return to Hardwax was at 12:15pm, don't want to look to keen right? gimme gimme gimme.


Two hours later I was mechanically and unemotionally processed at the register with what was close to 150 euro’s worth of records. Next up was the very friendly OYE Records located just off Schonhauser Allee up from Senefelderplatz. Listening to some records at my listening booth I was politely interrupted by a woman who explained to me that a German news crew were filming in the shop and that I would be in the background whilst the presenter did her thing. If any one reading this happens to see a German news story on OYE Records please let me know as I'd love to see it. I remember listening to this during filming. Last stop was Mitte Musik just off Warschauerstraße, a bulging bag full of records had me telling myself to relax and not buy everything on sight but the Mitte Musik guys had me at hello with their impressive Fachwerk selection, sold.


Weighing in at?


Wednesday I managed to quickly catch up with Henning Baer for a quick coffee and was treated to a sneak peak inside K209's studio, it’s no lie when they say techno made in a Berlin basement. As I hopped the S9 headed back to Schonfeld I huffed and puffed breaking into a small sweat lugging around what was in total close to 50 records. I packed light for Berlin knowing I would be bringing back some records, only I didnt expect my binge to be as big as it was, or at least I told myself that. I made my way to counter to check in my bag and attemped to casually lift it on the weigher, I wasn’t fooling anyone as I no doubt looked like an olympian weight lifter about to buckle, pulsating vien in the middle of the forehead is always a good too. I ended up checking in at 19.6 Kg’s, 0.4 Kg's under the limit, not bad going considering I had more in my hand luggage.

Tuesday, 16 November 2010

TEA with Ed Davenport

It seems as if the past 2 years in Berlin has given Ed Davenport somewhat of a spark. His freshly pressed 'Centrality' EP on London imprint Autoreply is a perfect example of Davenport's innovative shimmer. Four the floor beats with a housey vibe, the perfect formula for any house head or techno boffin.

Davenport is no stranger to major record labels with releases and remixes on Liebe Detail, NRK, Poker Flat, Soma and Cocoon amongst a collection of others. His stripped back remix to Koljah & Oliver Deutschmann's 'Eaten Back To Life' featured on Len Faki's Berghain 03 mix and Alland Byallo, Guy J, Echonomist, Mark Henning and Patrick Bateman have all be given the Davenport treatment.

TEA caught up with E.D to talk Japan, Berlin's cheap eats, shacking up with Function and Earl Grey tea.


You've recently returned from a trip to Japan, how was that?

It was an exciting trip and very eye opening, Osaka is incredible. Techno needs no common spoken language – I really felt like I was communicating through music when I played! Hopefully next time I can factor in a trip to Australia too.

You're from Salisbury in the UK, tell us a bit about growing up there.

There wasn't so much of a scene there really but things filtered as it's not far from London or towns like Southampton or Bournemouth, which had some pretty good club nights and record shops. I was more or less on my own in terms of the music I was into and trying to make, this was around the age of 15 or 16. A small group of us did put on parties, turning local city halls, scout huts and rugby clubs into raves for a the evening. The parties had to end at midnight though, otherwise the soundsystem would have cost us double...Those were the days!

You now live in Berlin and have for 2 years. Can you give us an outsiders point of view on the ever constant influx of artists moving to the city?

Yes those 2 years have gone really quickly! Most ex pats have a love-hate relationship with Berlin. There are good reasons to be here, and then there is the missing home and friends part. I think the recent DJ/Producer influx is cool though, still. I mean, there's such a feeling of things going on here, I love it. Its a small town and there is a nice feeling of a genuine music community bubbling away under everyday life. Plus I think it's always good to have some healthy competition, people to share music and come together with.


And you are room mates with Dave Sumner aka Function.

Dave and I have become good friends since I moved in with him earlier this year. Its great, we are very respectful of each others space, and its very inspiring to have other working creatives around at home. We'll listen in on each other's new tracks, share ideas, stories. I'm lucky to have met him.

And Berlin is home now?

Yep, here to stay for the foreseeable future.

So you'd have your favourite city spots now?

I love the area around Schlesisches Tor in Kreuzberg. For some reason my existence in Berlin has always gravitated around there. Its not as smart as Mitte or Prenzlauer Berg, but there's more of a real feel and some great, cheap, delicious places to eat. Try Maria Peligro for authentic Mexican, or Transit for some great Portuguese food at lunchtime.

You were once working under Szenario. Quite a different sound compared to the bold bottom end your showing in your tracks now, is this turning into somewhat of a Ed Davenport signature sound?

For sure, and I'm happy to think that there might be 'a sound' forming. For a long time I was concerned that all my productions were too far removed, but as I kept working, I think I've learnt what I like and what works. Funny, I still like the Szenario name... I think I'm going to bring it back eventually!


You’ve released on a broad assortment of labels over the years. Tell us a about your relationship with London’s Autoreply.

I first got in contact with Dicken aka Confetti Bomb who runs the label after hearing an EP from Mark Henning & JUG, two friends from when we all lived in London. I was really impressed, and offered up some music. I really enjoy working with the label. Dicken is really enthusiastic, and you can tell he's not only got a love for it, but he really has things going in the right direction. I'm happy to keep working with him!

You also work with native instruments, tell us about your role with them.

I'm a copy writer a few days a week. I like to have some time away from music, in the 'real-world' – its a great company to work with.

And the 3 Good Doctors project with Agaric, Beaner and yourself. How did this come about and what was it like working with a troupe on productions?

It really came about through our friendship and Beaner's crazy-mad-wonderful imagination. Its not the easiest thing to collaborate, even with good friends, but its something that always inspires and teaches you useful things!

Any more 3 Good Doctors on the horizon?

Hopefully there will be more!

You also have a good relationship with Panoramabar.

I'm lucky that I've been able to 'have my say' now and again behind the decks. It's a hugely important club for the scene and a marker of where we are right now in electronic music. These days I've been able to go there less and less due to work and gigs, but I'll always have a huge buzz to stand behind the DJ booth.


Is Berghain next?

I don't want to speak too soon.

How has the live show been going?

It's really fun to do and I've had some good reactions, although it's not something I've fully mastered yet. I'm simply trying out ideas. In the future I'm planning to work out something more unique and interesting. I always think that its hard to be really 'live' standing behind a laptop and a few boxes. Live to me means vocals, performance, with others on stage. That's for the future!

What are you working on at the moment? Any new alias work?

I've just finished a few some new EPs which will be filtering though this winter; a 12'' on Len Faki's Figure SPC label, and some collabs with Oliver Deutschmann, as Davenport & Deutschmann. We've got an 12'' coming up on his label, Falkplatz, which is really techno, tougher and more classic sounding. Plus there's remixes from Jerome Sydenham and Brendon Moeller. That will be out in January I think. I'm also working on new material for NRK, with the next 12'' scheduled for early next year. I'm trying to space things out a bit more now as I'm trying to find time to work on what will be my first album. There's an NRK label night upstairs in P-Bar on Jan 28th. I'm really excited about that as it's the first night there that I've had a part to play in the choice of DJs. Playing on the night will be Nick Harris, Ian Pooley, Justin Drake and myself.

And tea, whats your bag?

Earl Grey hands down!

Check out Ed Davenport's Soundcloud here

Check out what Autoreply is up too here