Showing posts with label Eduardo De La Calle. Show all posts
Showing posts with label Eduardo De La Calle. Show all posts

Tuesday, 3 January 2012

TEA Most Exciting Producers For 2011


2011 was a year where many artists broke through, whether it be the up and comers such as Blawan, Cosmin TRG or AnD or veterans such as Mike Parker, Luke Slater or ASC who have simply kept on keeping on. Below is TEA's list of 10 acts and artists that impressed us most.



Blawan


Alongside Cosmin TRG, Blawan has been one of 2011's most talked about artists and one that Midland says inspired him to be less lazy when it comes to programming his drums. Blawan dominated 2011 with releases on Restoration and Vae Victis with help from the Analogue Cops as well as two releases on R & S with the gob smacking What You Do With What You have EP and his equally impressive Peaches EP on Clone's Basement Series.




Kowton


Kowton's don't pigeon hole me attitude to production pokes fun at the hapless journalist who for the sake of a review is forced to describe his music. Kowton's kooky productions have seen light on a 6 separate labels in 2011 including [NAKED LUNCH], Project Squared, Teal Recordings, Livity Sound, Other Heights and two EP's for Bristol imprint Idle Hands.




Dadub


RA forum member Mamam made the comment on Resident Advisor's review of Dadub's Monad VIII "How dance music will sound in 2043… Fantastic" pretty much sums it up. As it stands Dadub's music is so far ahead of its time even Detroit's first wave are scratching their heads putting themselves and Stroboscopic Artefacts at the cutting edge of electronic music.




AnD


Who can get enough of faceless techno and covert production operations? AnD are a Mancunian based duo who this year lit the techno world alight with a prolific slew of releases on equally enigmatic labels Horizontal Ground and Black Sun Records as well as Idle Hands, Project Squared and their own Inner Surface Music iprint run with Tom Dicicco. With an unstoppable amount of techno seen from the two last year it’s clear that a release-less 2010 was the bi-product of being left to their own devices in what can only be imagined as an abandoned air raid shelter beneath the streets of Manchester.




Mike Parker


2011 was a year where anything remotely related to Mike Parker was considered buy on sight. With Munich based label Prologue shedding light on some of techno's darkest names which include Dino Sabatini, Cio D'Or, Milton Bradley, Georgio Gigli and Claudio PRC, Mike Parker added his name to the roster with two stellar EP's linking the two with what seems to be a match made in heaven. Parker's own Geophone imprint saw GPH16 and GPH17 hit the shelves cementing Parkers as one of techno's most recognisable sounds.




Truncate


Another name to seemingly burst out of no where is Truncate aka David Flores aka Audio Injection. Unlike Audio Injection's big room approach to techno with releases on CLR, Droid, Sleaze and Electric Deluxe, Flores has made a move away from the main room with his now dubbier orientation. Flores set up his own Truncate platform and hios music also saw other releases on US imprints Enemy Records, Modularz and Drumcell's Droid whom Flores works closely with.




Eduardo De La Calle


Spaniard Eduardo De La Calle may well be one of the hardest working and most dedicated to the cause electronic music producers out there. This year he launched his Analog Solutions imprint which saw a whopping 16 releases in total, all of which untitled and quality. Over the years Eduardo De La Calle has slowly raised the standards of what should be considered 'deep house' with his pure and honest house/techno sound, throwing caution to wind for any for any producer claiming to be deep house.




ASC


ASC is another producer who has long flown under the radar and in doing so made the likes of Sandwell District look somewhat mainstream. After his revered Nothing Is Certain full length released on Non Plus last year, 2011 saw ASC reveal himself to the broader techno community via a joint EP with L.B Dub Corp on Mote Ecolver's Parallel Series 1 EP. In 2010 ASC set up his Auxiliary imprint which saw the digital offshoot Auxiliary Transmissions and the bold Auxiliary: Symbol launch in 2011. ASC recently opened Pushing Red's podcast series which is well worth a listen, the UK producer (based in San Diego) also runs his own blogspot which is recommended read for a healthy intake of underground and forward thinking nutrition.




Gerry Read


Those still unable to get their kick drums sounding as big as Kerri Chandler's or their hats as slicing as Falty DL have all secretly signed a pact to do whatever it takes to rid the world of Gerry Read. At 19 years old the Suffolk based maverick's ability to produce techno as dense as Dehnert and raw as Restoration sent sqeee's of excitement through TEA HQ this year. Since debuting last year on the Dark Arx imprint, Read has demonstrated a progression and focus in sound across releases on both 2nd Drop and Fourth Wave. Juno Plus recently revealed that a further twelve inch and an album are in the works for Fourth Wave.



Shifted


There is no denying it that the man about techno town in 2011 was indeed Shifted. In a down spoken transition to techno from drum n bass, Shifted wasted no time in introducing himself. This year saw the launch of his own Avain imprint as well as releasing two extremely impressive EP's on Luke Slater's Mote Evolver. EP's were also knocked up for labels Pacific Blue, Syndrome Z and Our Circula Sound. The Englishman also produced Project Squared's biggest selling release for 2011 with his remix to Furesshu's Lucid as well as other remixes for The Black Dog, Sigha, Max_M, Cio D'Or and DAX J & Chris Stanford from EarToGround.

Sunday, 25 December 2011

TEA TOP TRACKS FOR 2011

Locked in my suburban Melbourne home with only my records, laptop, turntables, monitors, an endless supply of tea I managed to compile TEA's top 100 tracks that made their way into my record bag, inbox or download account. When I did surface I was looking more like pale and famished internet gamer rather than a pale and famished internet blogger.


After the days of soul searching I was mystified by the amount of tracks that I'd missed last year and no doubt history is about to repeat itself.


Attached are the corresponding links to the tracks available to be viewed on youtube.


Happy Hunting!


99.Databoy78 - Thursday [Running Back]
98.Conrad Van Orton - Shattered [Key]
97.Cosmin TRG - Izolat [50 Weapons]
96.The End Of All Existence - Only Darkness Remains [The End Of All Existence]
95.Eduardo De La Calle - Flamenco Sketches (Present The Good Bye Song) [Analog Solutions]
94.Myles Sergé - The Crazy Neighbor [RE(FORM)]
93.Dadub - Metropolis [Stroboscopic Artefacts]
92.Eduardo De La Calle - Untitled A1 [Analog Solutions 003]
91.GHL - Slow Good [Electric Minds]


90.Martyn & Mike Slott - All Nights [All City Records]


89.Julio Bashmore - Battle For Middle You [PMR Records]

88.Shifted - Control [Mote Evolver]
87.AnD - A Brother From Another Mother (Tom Dicicco Late Night Dub) [Project Squared]
86.Steven Porter - Deed [10 Label]
85.MD2 - MD2.3.2 [MD2]
84.Delta Funktionen - Minds Into Meltdown [Ann Aimee]
83.Unbalance - Untitled A1 [Unbalance#2]
82.Roman Lindau - Crasse [Fachwerk]
81.Planetary Assault Systems - Black Tea [Ostgut Ton]

80.Bleak - Fall [Sudden Drop]




79.Shifted - Untitled B2 [Avian]

78.XDB - Bakfom [Harbour City Sorrow]
77.Unbroken Dub - Untitled B2 [Rawax]
76.Sailor Mood - RM12.4 [Retrometro Records]
75.Resoe - Redlightsareflashin [Echocord Colour]
74.Jeroen Search & Markus Suckut - JSMS 2.0 [Figure SPC K]
73.Roman Lindau - Sub Suggestion [Fachwerk]
72.Conforce - Desolate Ground [Delsin]
71.Third Side meets ND_Baumecker – Burning [Restoration Records]


70.Xhin - Foreshadowed (Dadub Remix) [Stroboscopic Artefacts]


69.Skudge - Void [Echocord Colour]

68.Endian - Two Chords Deep [Electric Minds]
67.Wbeeza - Coast Spotting [Third Ear Recordings]
66.Reno Wurzbacher - Julischkaa [Fachwerk]
65.Burial – Street Halo [Hyperdub]
64.Axel Boman – Europa [Studio Barnhus]
63.Marcel Dettmann - Translation One [Ostgut Ton]
62.Mike Dehnert - Sonderbar [Clone Basement Series]
61.Roman Lindau - Avide [Fachwerk]


60.K209 - Going Forward [K209]


59.Emmanuel Top - Addiction [Planete Rouge]

58.Cio D'Or - Magnetkries (Shifted C.I.S remix) [Prologue]
57.Jobody - Aspect 3 [Apologue]
56.AnD - Resistance [Black Sun Records]
55.The Black Dog - Heavy Industry [Dust Science]
54.Tom Dicicco - Night Erosion [Stockholm LTD]
53.John Swing - the Live Experience [Relative]
52.Mokira - Time Track [Kontra-Musik]
51.Planetary Assault Systems - Kray Squid [Ostgut Ton]


50.Rivet - Running (edit) [Naked Index]


49.Unbalanced - Mad Loop [Red Indeks]

48.Dadub - Biophesis [Stroboscopic Artefacts]
47.Jeff Derringer - Exit Sound [Perc Trax]
46.Donato Dozzy & Neel - Voices From The Lake Drop 2 [Prologue]
45.Mike Parker - Subterranean Liquid [Prologue]
44.L.B Dub Corp - Lurchers Dub [Mote Evolver]
43.Conforce - Vacuum [Delsin]
42.Northern Structures - 9 - 5 [Sonic Groove]
41.Max_M - Kidnapper Bell (Shifted remix) [M-Rec Ltd]


40.Disco Nihilist - Greasy Grind [Running Back]


39.Kowton - Keep Walking [NAKEDLUNCH]
38.Truncate - Truncate.21 (DJ Hyperactive Mix) [Truncate]
37.Northern Structures - Rotations [Sonic Groove]
36.Shifted - Drifting Over [Mote Evolver]
35.Mike Dehnert - Rgs2 [Echocord Colour]
34.Marcel Dettmann - Planning [Ostgut Ton]
33.Planetary Assault Systems - Wriss [Ostgut Ton]
32.Vril- V5 [Giegling]

31.Norman Nodge - Homology [MDR]


30.Zadig - Reflection [Sino]


29.Roman Lindau - Lyrica [Fachwerk]

28.Xhin - This Is What You Drew While You Were Half Asleep [Stroboscopic Artefacts]
27.Carter Bros - I Didn't Need You [Black Catalogue]
26.Shifted - Polaron [Mote Evolver]
25.AnD - Horizontal Ground Vision [Black Sun Records]
24.Blawan – What You Do With What You Have [R & S]
23.Benjamin Brunn – No Kicks [Third Ear Recordings]
22.Gerry Read - Roomland (Youandewan Remix) [2nd Drop]

21.Blawan - Vibe Decorium [R & S]


20.John Beltran - Nephila's Oneiric (Sven's Glorify Tribute To John Beltran) [Delsin]


19.Tommy Four Seven - Track 5 (Robert Hood Remix) [CLR]

18.Floorplan - Baby Baby [M-Plant]
17.Milton Bradley - Diffusion [K209]
16.Mike Parker - FWD (Donato Dozzy remix) [Prologue]
15.Efdemin & Kassian Troyer - Blount [Curle]
14.Aardvark - (Just Washed) That Pig (Extended) [Rush Hour]
13.Aux 88 - Soul Of Black (Arthur Oskan Beat Remix) [Puzzlebox Records]
12.Sascha Rydell - SR2 [Fachwerk]

11.Dense & Pika - Bad Back [Dense & Pika]


10.SVN - Track 2 [Sued]


SVN's Track 2 borders on what could be classified as acoustic house. It's meaty baseline rumbles and woofs around a syncopated drum pattern caressed by the deepest of blue and moody looped piano chords. Little is known about SUED other than the label established itself this year with two joint releases from the equally unknown SW. & SVN.


9.Dadub - Hadean [Stroboscopic Artefacts]


RA forum member Mamam made the comment on my review of Dadub's Monad VIII "How dance music will sound in 2043… Fantastic". That pretty much sums it up. As it stands Dadub's music is so far ahead of its time Detroit's first wave are scratching their heads. Dadub's production and mastering prowess is something to be reckoned with and Hadean is the best example of this.


8.Furesshu - Lucid [Project Squared]


Bristolian Furesshu has successfully produced one of the most functional techno tracks of the year, which comes with one of the most functional remixes of the year thanks to 2011's white hot Shifted. For any lover of a dub techno chord, or in this case stabs (which I'm sure counts for a lot of us), this is a must have and absolute gem from trailblazing London imprint Project Squared. The fact that the tracks waveform is shaped like a bomb also might have something to do with it.


7.Anthony Shakir - Travellers (MRSK Remix) [Rush Hour]


Silky smooth 'n' streamlined techno. MRSK's remix of Anthony Shake Shakir's - Travellers is one of the years most polished production, played, charted and supported by a full spectrum of house and techno artists. Besides MKSR's reconstruction of Makam's - Home 2 Home (alongside remixes from Delano Smith and XDB) on Berlin imprint Sushitech Purple, the housier sub label of Sushitech, the Swede has a modest discography with his Black Keith/Close To Me EP released on Rush Hour being his only solo work. MRSK has featured on The Best Of Rush Hour compilations for the past two years highlighting the Scandinavian as a one to watch in 2012.


6.AnD - Non Compliant [Inner Surface Music]


Alongside Shifted, AnD have been the most prolific newcomers to the world of techno in 2011. After knuckling down in 2010 the Manucian and Greek duo this year released on Horizontal Ground, Black Sun Records, Project Squared, Idle Hands, Jonas Kopp's Krill Music as well as their own Inner Surface Music imprint they run with partner Tom Dicicco. Non Compliant from the same EP is pure, stripped back and no nonsense techno, with an injected silence to stun any club.


5.Surgeon - Radiance [Dynamic Tension Records]


Never have I heard people say someone has played too hard at Berghain, until Surgeon's most recent visit, not a mean feat. Besides the odd remix, Surgeon's releases of late have moved at a glacial rate and like that glaciers when they hit we know about it. Radiance from Surgeon's - Breaking The Frame LP is a wall of noise backed by Anthony Child's thunder kicks and violent undertones that only an industrial obsessive (associated with Regis) could only be capable of.


4.Zadig - Re-Form [Contruct_Re_Form]


A relative newcomer Zadig aka Slyvain Peltier’s 909 workouts look soon to become folklore if the ramshackling Re-Form is anything to go by. Its stormy introduction soon swirls into heavy duty dub techno hit with many a techno cliché included. 2010 saw Kenny Larkin’s remix of Zadig's Dark Nebular tilt a few heads in the the Parisian's direction, but it has been his most recent release on Technasia's Sino and the launch of his own CONSTRUCT-RE-FORM imprint that has fast tracked the Frenchman as a one to watch. Zadig's 'new classic' sound is a traditional yet engaging approach to producing techno and one that he says is inspired by such luminaries as Surgeon, Luke Slater and Robert Hood.


3.Anne-James Chaton - Evenement27 [10 Label]


And the award for the scariest cover art goes to - new Japanese imprint 10Label. The Japanese do scary well and not surprisingly the music is as sinister as the artwork. The record itself gives away no hints as to what is the A or B sides, but it's not long before hearing some typically rapturous Ancient Method loops that I was able to figure it out. Partnering Ancient methods on the A side is ex Vault Series stalwart Sawlin, a producer once associated with the Berlin basement sounds Subjected and Moerbeck. The flip is a little more avant garde than side A, opened by Steven Porter's - Deed, a production not to dissimilar from Milton Bradley's - The End Of All Existence but it's Raster-Noton's Anne James Chaton glitchy exorcism that shocked us most at TEA.


2.Eduardo De La Calle – Untitled [Analog Solutions – EDITS 001]


Spaniard Eduardo De La Calle may well be one of the hardest working and most dedicated to the cause electronic music producers there is. This year he launched his Analog Solutions imprint which saw a whopping 16 releases in total, all of which untitled and quality. The B side to EDITS 001 is the ultimate deep house production that would laugh in the face of many that have been tagged as deep house by either Juno or Beatport. With a male vocal to make your spine tingle Eduardo De La Calle has set the bar for future 'deep house' producers.


1.Planetary Assault Systems - Rip The Cut [Ostgut Ton]


I commend all of those who have compiled a favourites list this year who managed to not include Planetary Assault Systems - The Messenger's 12 tracks in their top 12. Bell Blocker (a DJ's favourite), Wriss, Kray Squid and Black Tea were all good enough to fill this spot. I gave top spot to Rip The Cut not because of its sheer brutality, crawl into the speaker cone qualities and Luke Slater's never mind the bullocks attitude to producing Rip The Cut, but the response I've seen when hearing it played and the stories I've heard from others hearing it played or playing it themselves.