Showing posts with label CONSTRUCT-RE-FROM. Show all posts
Showing posts with label CONSTRUCT-RE-FROM. Show all posts

Tuesday, 11 December 2012

TEA's 2012 in Review - Part 1



TEA started off its 2012 with a look at the acts we thought were destined to turn some heads come December this year. It was nice to see our predictive “Ones To Watch” compass stayed pointing relatively north. At the furthest tip it was Troels Knudsen, one half of Copenhagen duo Northern Structures, who unveiled his Ctrls moniker via two ballistic EPs on Belguim imprint Token. Both Ctrls and Token chieftain Kr!z later supplied TEA with two accelerated podcasts of hulking techno in 2012. 




Parisian bastion Zadig aka Sylvain Peltier added two more releases to his fledging Construct Re-Form imprint, with two dubby and Roland-centric EPs from the relatively unknown Voiski, Deception Plan and Birth Of Frequency. He also launched a new vinyl-only imprint called ARS MECHANICA.

TEA podcaster number 26 MRSK and the masked Adam Rivet (TEA podcaster number 9) had releases pressed up for the Skudge Presents imprint in 2012 and Rivet was then lucky (or unlucky) enough to grace the pages of Resident Advisor, allowing RA’s garrulous comments sections to run riot. TEA's home town heroes the Carter Bros had their stellar Metropolitan LP, originally released digitally on Cuckoo Music in 2009, pressed up to vinyl and re-released through Kevin Griffiths Tsuba imprint.


Tom Dicicco thrummed 2012 with his usual three dimensional bass sonics with a stripped back EP on his (co-run with AnD) Inner Surface Music imprint, along with a second EP on Jonas Kopp’s Traut Muzik. ISM also released the 3 Stacked Layers, From Macro To Meta EP by Walker & Kennedy, a collaboration between Patrick Walker of Forward Strategy Group and Inigo Kennedy of Token fame.

As for AnD, I spoke with them for Little White Earbuds and according to Dimitri (the D from AnD), 2012 was all about getting “harder and harder and harder”. The two, along with Truss, helped career the 2012 alumni of UK industrialist and ‘90s inspired techno into the international spotlight. 


AnD - Features/Vol 3 [Repitch]


On top of releases with Hidden Hawaii LTD and a second missive for Black Sun Records, the Mancunian outfit also launched their own white label imprint AnD, with the 001/0101 EP - two tracks of gabba-techno hardness. The pairing commenced the year with a stunning two hour homage to all things electronic and experimental in their “No Ufo’s” mix, later earmarked 11 months later by Juno Plus scribe Tony Poland as part of his “top 10 mixes of 2012 to stroll along the Regents Canal to”. 


Henning Baer up routed his Ground Theory party from the bricky Arena Club and into its new (ex-bathhouse) home of Statdbad Orderberger. On the release front, Baer carved more of a name for himself internationally with the robust Drop Out 12” on Sonic Groove, as well as additional heavy cuts for Krill Music and Isolated System. 

His K209 collaboration with Milton Bradley released just the one production this year with a mellowed out remix (in comparison) to Joseph McGeechan’s brutal Failed By The Conformists EP, released on Chicagoan imprint Prosthetic Pressings (Ancient Methods remix on the flip).


Joseph McGeechan - Failed By The Conformist [Prosthetic Pressings]

TEA’s first gig for the year was at our techno safe house My Aeon on February 11, where we celebrated a second year of blogging, touring and transcribing. Welcoming pleasantries were of course entrusted in Daniel Filipovic, TEA’s warm up specialist and one of Melbourne’s finest DJs with an unrivalled ability to woo an entering crowd with his dub-laden selections.


I then unwrapped three hours of various techno records from a 112 record haul from a recent trip to Europe. The globetrotting and newly inducted TEA resident Nic Tuohey then blew the roof My Aeon in a closing set drummed with some of Prologue and Zooloft’s most brooding cuts. He then finished with Jerome Sydenham’s hands up Vocal Dub to Flora Cruz’s “Let The Sun Shine Out”.

As part of the Fresh TEA series, Northern Structures opened our podcast and interview account with one of our most popular mixes yet. Basic Soul Unit’s Northern Heights EP for TEA label featurette Other Heights then secured my interest in pursuing the label for a written special (I saw BSU play live alongside Sven Weisemann later in the year). 





Other Heights enjoyed an industrious 2012 with releases from Justin Berkovi, Herzal & Genoveva, Metropolis aka Lapien (who mixed the podcast to accompany the Other Heights label feature) as well as three various artists releases which included tracks from Unbalance, Tom Dicicco, Markus Suckut, Brooks Mosher and Ozka.



Swiss duo Isolated Lines, discovered via Donor’s digital platform Minuscule, then curated TEA’s 18th podcast which featured some healthy techno cuts from Mike Dehnert, Redshape, Adam Rivet and Skudge, as well as their remix of local band Casque's "Edgar". 




Markus Suckut, one of 2012s stand out producers, launched his own SCKT imprint with the gritty SCKT01 - SCKT02 followed up in September. Suckut was prolific on the remix front this year supplying 11 mix ups for an assortment of labels including Semantica, EarToGround, Non Series and Gynoid, with remixes for techno heavy weights Truncate, Pfirter and Mark Broom. He also featured heavily in Myles Sergé’s TEA podcast, a producers whose lo-fi and uncompressed style of production has criminally gone unnoticed for too long, so it was a pleasure to land a mix and interview from the Grand Rapids native.



By mid February I was being treated for a severe case of RSI, which I only conquered in September. Enduring weekly physio and dry needling sessions, I gallantly pushed through. Helping keep TEA afloat was Bristol producer Jobody with some boom town sounds for TEA's 19th podcast, which unbeknown to most included “Wttp”, credited as “Unknown - Untitled [Unknown]”, by the yet to be known MPIA3 - Truss’ drum synth and 303 alias.



Cassegrain’s extended shuffles and subaqueous dub techno strayed across TEA’s rader and the duo ended up with four strong releases in 2012, raising the curtain for the Modal Analysis imprint as well as supplying other cuts for M_Rec LTD, Prologue and nutty Berlin label Killekill via a collaboration with Tin Man.


Cassegrain - Plate EP [Modal Analysis]


In late March my frustrations of rarely seeing a CDJ DJ, let alone a vinyl DJ got the better of me, resulting in the small “Refining The DJ” rant, posing the question “how does society picture the DJ?”  More rants followed, including Melbourne’s lacklustre party efforts and the impossibility of avoiding Shed’s music, whether it be room two, garden bars or the main stage.







After some salubrious dusting downs, TEA was privileged to a podcast and extensive interview with Mike Parker and the highly underrated Fanon Flowers. Benjamin Brunn dropped TEA its 22nd podcast which was soon followed up by another mix by 2012 prop Bleak. 

The Scissors & Thread imprint then debuted the sultry sounds of Frank & Tony, earning them a review, as did youANDme’s dip in the deep end with the mouche EP on emerging German imprint Dub2Dust_Rec.

TBC.

Friday, 12 August 2011

TEA Podcast #12 - Zadig


It's said the most exciting time in an artists' career is when they is about to break. Zadig aka Sylvain Peltier may be known to the net crawling bloggers, dusty knuckled DJ's and his fellow electronic music producers, but it's the broader techno community that Zadig is about to breach.

2010 saw Kenny Larkin's remix of Zadig's Dark Nebular tilt a few heads in the the Parisian's direction, but it has been his most recent release on Technasia's Sino and the launch of his own CONSTRUCT-RE-FORM imprint that has fast tracked the Frenchman as a one to watch. Zadig's 'new classic' sound is a traditional yet engaging approach to producing techno and one inspired by such luminaries as Surgeon, Luke Slater and Robert Hood.

Ahead of TEA's 12th Podcast Zadig shared with us how the mix was recorded, his Voltaire inspired alias, plans for the future and love for a Chinese classic.


How and where was the mix recorded?

I recorded the mix at home using two Technics SL 1200 Mk2 and Allen & Heath Xone 62. I recorded the mix directly into my sound card in one shot, no digital editing. I then put the mix through my tube amplifier to give it a bit more power and heavier sound. It was a very spontaneous mix with a range of tracks from recent releases to some older favourites. I tried to create an atmosphere within the mix that was introspective and sometimes explosive.

Tell us a little about the name Zadig. Does it share any relevance to Voltaire's famous Book of Fate?

Yeah for sure. When I was very young I saw an adaptation of the tale of Voltaire. I later read the book and when the moment came to to choose my alias, the name of Zadig came naturally. I feel very close to the character and to the notion of fate.

You used Mathew Jonson's - Learn To Fly in the podcast which is very Jean Michel Jarre sounding. Has Jarre influenced you in anyway being French?

Jean Michel Jarre was not a huge inspiration of mine. I find some of his tracks interesting but his work isn't quite abstract enough for me. Mathew Jonson on the other hand is one of my favorite producers and live acts, 'Learn to fly' is very close to his best work yet. My revelation of electronic music came when I saw Belgian EBM band Front 242 live, I was totally blown away. After that I discovered labels like Harthouse, Drop Bass Network, Generator and Axis which furthered my liking of Techno and Hardcore but I was also into US Hip Hop, Jazz, House, and Ambient styles. I was really into guys like Joey Beltram, Luke Slater, Jeff Mills, Daniel Bell, Robert Hood, James Ruskin and Surgeon. Not long after was I inspired to make music of my own. Naturally I turned to the legendary machines of this sound, the TR 909, 808, Juno 106 and so on. I decided to make my own tracks and looked at making what I call "new classics". A sound's texture is very important to me and plays a big role in my production. I always try to be somewhere between the old school and something more modern.



You also just launched CONSTRUCT-RE-FORM. Tell us about the lead up to you starting the label and what plans do you have for the future?

I had thought for a long time about creating a label but I never felt ready artistically or technically until now. My dealings with other labels as such as Syncrophone and Sino helped me recognise what was needed to start a label. I don't think it would have gone very far without the help from John and Didier from Syncrophone and Charles Siegling aka Technasia. I work very closely with my engineer Mathieu Berthet, he takes care of the mastering and cutting and helps me a lot technically. I often ask my friends for their opinion, especially Maxime aka 'S3A' and Simon aka 'Birth of Frequency'. For the label's upcoming releases, CRF002 is some very sharp, metallic and industrial sounding techno from Antigone, a young Parisian artist. It will feature a remix of mine which will be a bit deeper and dubbier to balance out the EP. CRF003 will be another Zadig release with a remix from a famous Berlin artist and CRF004 is from another young artist 'Birth of Frequency' with a track fully charged and powerful techno.

Tell us about your relationship with S3A and Birth of Frequency.

Maxine is one of my best friends, he has been prodcuing and DJing for quite a few years now. We enjoy sharing with each other our ideas and points of view, not only on music but also on life. Last year we shared a studio and launched the ‘Friendship Connection" project. We brought both of our worlds together and released some tracks through a new Parisian label called Panam. It received a warm welcome and rasied support from artists like Marcel Dettmann, Delta Funktionen and Smear, so that was great. At the moment we are working on a follow up and Maxine is preparing for his next release as S3A which will be a bit more housey. Simon aka Birth of Frequency is my younger cousin, he discovered Techno a few years ago and I can see the same passion and enthusiasm in him that I had in my younger years. His music is already telling a story whilst remaining full of charm naivety.

What's coming up next for Zadig?

Right now I am working on various projects. I have a few collaborations with other artists, the first being for Sino,
and the second is with 'S3A' on Panam. I also have a remix coming out for the label P & D as well as another release on Arnaud Le Texier's label - Children of tomorrow. In short, a lot of work ahead.

What is you favourite tea?

Jasmine tea

1. Versalife - Solenoids Of Insomnia [Clone West Coast Series]
2. Stefan Lohse - Fog Patches [Uncanny Valley]
3. Unit Moebius - Dolfinarium [Clone Classic Cuts]
4. Developer - Edificio (Silent Servant remix) [Modularz 4]
5. Mathew Jonson - Learn To Fly [Minus 108]
6. Fanon Flower - Prado Oscuro [ Modularz 4]
7. Shed - Well Done (030 edit) [Solocation 1208]
8. Zadig - Re-Form [CONSTRUCT RE-FORM]
9. Aaron Carl - Wallshaker [Millions Of Moments]
10.Zadig - Dark Nebular [Syncrophone]
11.Johannes Volk - Supersymmetric [Exploration]
12.Trucate - Jack - [Truncate]
13.Samuel L Session - Part 7 [Figure]
14.Anthony Shake Shair - Frictionalism (Skudge floor remix) [Rush Hour]
15.Splice - Trouble [Farden]
16.Developer - Revisiter [Modularz]
17.Levon Vincent - Invisible Bitchslap [Deconstruct]
18.Johannes Volk - Energy Field [Exploration]
19.Unknown - A1 [Manzel]
20.Shutter - B1 [Hem]
21.Cosmin TRG - De Dans [50 Weapons]
22.Voyager - The Third Planet From The Sun
23.Truncate - Focus v2
24.Splice - Cobra [Farden]
25.Roman Lindau - Sub Suggestion [Fachwerk]
26.Surgeon - Sleep (Ultra Violet) [Dynamic Tension]
27.Vakula - Theo Sun [Archipel]