Showing posts with label Adam Rivet. Show all posts
Showing posts with label Adam Rivet. Show all posts

Tuesday, 11 December 2012

TEA's 2012 in Review - Part 1



TEA started off its 2012 with a look at the acts we thought were destined to turn some heads come December this year. It was nice to see our predictive “Ones To Watch” compass stayed pointing relatively north. At the furthest tip it was Troels Knudsen, one half of Copenhagen duo Northern Structures, who unveiled his Ctrls moniker via two ballistic EPs on Belguim imprint Token. Both Ctrls and Token chieftain Kr!z later supplied TEA with two accelerated podcasts of hulking techno in 2012. 




Parisian bastion Zadig aka Sylvain Peltier added two more releases to his fledging Construct Re-Form imprint, with two dubby and Roland-centric EPs from the relatively unknown Voiski, Deception Plan and Birth Of Frequency. He also launched a new vinyl-only imprint called ARS MECHANICA.

TEA podcaster number 26 MRSK and the masked Adam Rivet (TEA podcaster number 9) had releases pressed up for the Skudge Presents imprint in 2012 and Rivet was then lucky (or unlucky) enough to grace the pages of Resident Advisor, allowing RA’s garrulous comments sections to run riot. TEA's home town heroes the Carter Bros had their stellar Metropolitan LP, originally released digitally on Cuckoo Music in 2009, pressed up to vinyl and re-released through Kevin Griffiths Tsuba imprint.


Tom Dicicco thrummed 2012 with his usual three dimensional bass sonics with a stripped back EP on his (co-run with AnD) Inner Surface Music imprint, along with a second EP on Jonas Kopp’s Traut Muzik. ISM also released the 3 Stacked Layers, From Macro To Meta EP by Walker & Kennedy, a collaboration between Patrick Walker of Forward Strategy Group and Inigo Kennedy of Token fame.

As for AnD, I spoke with them for Little White Earbuds and according to Dimitri (the D from AnD), 2012 was all about getting “harder and harder and harder”. The two, along with Truss, helped career the 2012 alumni of UK industrialist and ‘90s inspired techno into the international spotlight. 


AnD - Features/Vol 3 [Repitch]


On top of releases with Hidden Hawaii LTD and a second missive for Black Sun Records, the Mancunian outfit also launched their own white label imprint AnD, with the 001/0101 EP - two tracks of gabba-techno hardness. The pairing commenced the year with a stunning two hour homage to all things electronic and experimental in their “No Ufo’s” mix, later earmarked 11 months later by Juno Plus scribe Tony Poland as part of his “top 10 mixes of 2012 to stroll along the Regents Canal to”. 


Henning Baer up routed his Ground Theory party from the bricky Arena Club and into its new (ex-bathhouse) home of Statdbad Orderberger. On the release front, Baer carved more of a name for himself internationally with the robust Drop Out 12” on Sonic Groove, as well as additional heavy cuts for Krill Music and Isolated System. 

His K209 collaboration with Milton Bradley released just the one production this year with a mellowed out remix (in comparison) to Joseph McGeechan’s brutal Failed By The Conformists EP, released on Chicagoan imprint Prosthetic Pressings (Ancient Methods remix on the flip).


Joseph McGeechan - Failed By The Conformist [Prosthetic Pressings]

TEA’s first gig for the year was at our techno safe house My Aeon on February 11, where we celebrated a second year of blogging, touring and transcribing. Welcoming pleasantries were of course entrusted in Daniel Filipovic, TEA’s warm up specialist and one of Melbourne’s finest DJs with an unrivalled ability to woo an entering crowd with his dub-laden selections.


I then unwrapped three hours of various techno records from a 112 record haul from a recent trip to Europe. The globetrotting and newly inducted TEA resident Nic Tuohey then blew the roof My Aeon in a closing set drummed with some of Prologue and Zooloft’s most brooding cuts. He then finished with Jerome Sydenham’s hands up Vocal Dub to Flora Cruz’s “Let The Sun Shine Out”.

As part of the Fresh TEA series, Northern Structures opened our podcast and interview account with one of our most popular mixes yet. Basic Soul Unit’s Northern Heights EP for TEA label featurette Other Heights then secured my interest in pursuing the label for a written special (I saw BSU play live alongside Sven Weisemann later in the year). 





Other Heights enjoyed an industrious 2012 with releases from Justin Berkovi, Herzal & Genoveva, Metropolis aka Lapien (who mixed the podcast to accompany the Other Heights label feature) as well as three various artists releases which included tracks from Unbalance, Tom Dicicco, Markus Suckut, Brooks Mosher and Ozka.



Swiss duo Isolated Lines, discovered via Donor’s digital platform Minuscule, then curated TEA’s 18th podcast which featured some healthy techno cuts from Mike Dehnert, Redshape, Adam Rivet and Skudge, as well as their remix of local band Casque's "Edgar". 




Markus Suckut, one of 2012s stand out producers, launched his own SCKT imprint with the gritty SCKT01 - SCKT02 followed up in September. Suckut was prolific on the remix front this year supplying 11 mix ups for an assortment of labels including Semantica, EarToGround, Non Series and Gynoid, with remixes for techno heavy weights Truncate, Pfirter and Mark Broom. He also featured heavily in Myles Sergé’s TEA podcast, a producers whose lo-fi and uncompressed style of production has criminally gone unnoticed for too long, so it was a pleasure to land a mix and interview from the Grand Rapids native.



By mid February I was being treated for a severe case of RSI, which I only conquered in September. Enduring weekly physio and dry needling sessions, I gallantly pushed through. Helping keep TEA afloat was Bristol producer Jobody with some boom town sounds for TEA's 19th podcast, which unbeknown to most included “Wttp”, credited as “Unknown - Untitled [Unknown]”, by the yet to be known MPIA3 - Truss’ drum synth and 303 alias.



Cassegrain’s extended shuffles and subaqueous dub techno strayed across TEA’s rader and the duo ended up with four strong releases in 2012, raising the curtain for the Modal Analysis imprint as well as supplying other cuts for M_Rec LTD, Prologue and nutty Berlin label Killekill via a collaboration with Tin Man.


Cassegrain - Plate EP [Modal Analysis]


In late March my frustrations of rarely seeing a CDJ DJ, let alone a vinyl DJ got the better of me, resulting in the small “Refining The DJ” rant, posing the question “how does society picture the DJ?”  More rants followed, including Melbourne’s lacklustre party efforts and the impossibility of avoiding Shed’s music, whether it be room two, garden bars or the main stage.







After some salubrious dusting downs, TEA was privileged to a podcast and extensive interview with Mike Parker and the highly underrated Fanon Flowers. Benjamin Brunn dropped TEA its 22nd podcast which was soon followed up by another mix by 2012 prop Bleak. 

The Scissors & Thread imprint then debuted the sultry sounds of Frank & Tony, earning them a review, as did youANDme’s dip in the deep end with the mouche EP on emerging German imprint Dub2Dust_Rec.

TBC.

Thursday, 5 January 2012

TEA's Ones To Watch For 2012

Rather than predicting the year ahead, TEA has decided to name check some of the artist who sparked up some interest in 2011. Below is a select group of merrymakers who have the potential to light up 2012 whether it be with through their original productions, remixes, labels, live shows, DJ sets or organised parties.



Furesshu


The young Bristolian was responsible for one of this years most functional techno tracks Lucid, coming in at number 8 on TEA's top 100 for 2011. Furesshu along with Asusu were Project Squared's inaugural artists who seem to share a close friendship, the two release their Togetherness/Horizons EP on local imprint Immerse Records in May 2010. Furesshu capped off 2012 with his Downstate techno cut on Brendon Moeller's Steadfast which featured an Echologist (aka Brendon Moeller) Dub.




Northern Structures


So far to their name these two Danes have two releases to their name, Self Similarity and Service & Devotion both released on Adam X's Sonic Groove. The two regularly play live and in a recent chat with them in late 2011 they revealed to TEA that they have a stock pile of tracks banked up ready for potential releases.




Zadig


If Zadig keeps things up he looks to be the biggest thing since François Kervokian and Daft Punk combined. 2010 saw Kenny Larkin's remix of Zadig's Dark Nebular tilt a few heads in the the Parisian's direction, but it has been his most recent release on Technasia's Sino and the launch of his own CONSTRUCT-RE-FORM imprint that has fast tracked the Frenchman as a one to watch. Zadig's 'new classic' sound is a traditional yet engaging approach to producing techno and one which he says was inspired by such luminaries as Surgeon, Luke Slater and Robert Hood.




Adam Rivet


Adam Rivet supplied a podcast for TEA earlier this year just after the release of his first Naked Index EP Looking Out. Since then Rivet has released a second ram shackling package for Naked Index titled Running Thick, thick techno that's for sure. Rivet managed to sneak in remix for Kowton's Dirty Little Bomb on upcoming Danish imprint Teal as well as the recent Amid The Roar EP on Kontra-Musik which features a quality tasty Marcel Fengler Redefinition.




Carter Bros


For those that know them the Carter Brothers have been doing their thing for a long time before many of us new what that thing was. For those that don't they are known as the two wonder brothers from regional Australia that managed to snag a release on Rush Hour and Monty Luke's new imprint Black Catalogue. Infamous for being hopeless self promoters it only takes a little digging to find out that these two have released two albums prior to their Rush Hour release on their own DIY label Well Pitched Recordings. By 2012's end the Carter Bros will be a staple amongst house and techno lovers sets.




MRSK


Besides MKSR's reconstruction of Makam's - Home 2 Home (alongside remixes from Delano Smith and XDB) on Berlin imprint Sushitech Purple, the housier sub label of Sushitech, the Swede has a modest discography with his Black Keith/Close To Me EP released on Rush Hour being his only solo work. MRSK has featured on The Best Of Rush Hour compilations for the past two years highlighting the Scandinavian as a one to watch this year.




Conrad Van Orton


Another young Italian who's dark and brooding take on techno has him well on his way to joining ranks with the likes of Georgio Gigli, Donanto Dozzy and their younger protégés Obtane and Claudio PRC. Conrad Van Orton, real name Andrea Zanchetta runs C.R.S Recordings with sometimes production partner VSK. The somewhat necomer introduced his brand of broken and dirty techno to 2011 with releases on Key, ANG, Fluxus Digital and his own C.R.S Recordings.




Unbalance


Whenever I hear of an electronic music producer from Russia I secretly hope that their productions are made on ex KGB audio espionage devices, worked on in an abandoned power station in the freezing depths of Siberia. When you hear tracks like this years Mad Loop on Red Indeks or Rising on Sontag Morgen it's easy to be convinced that this is the case. The Ruski also launched a successful series on DBH Distributions Unbalance imprint with three dub laden Untitled EP's that were given the all clear by Alex Bau.




Tom Dicicco


Tom Dicicco (pronounced Dee-Chee-Co) looks to have struck a chord with those yearning for more emotive content within music geared for the dancefloor. Dicicco may be considered to be in the dawn of his musical career but his deep and meaningful productions have years on the cheap, deep and meaningless imitations plaguing many of our inboxes. This comes as no surprise as the Northampton tot was schooled by the teachings of his father preaching the word, rhythm and sound of King Tubby, Lee Scratch Perry and Yabby You, delivering the dub obsessive we see today.\




Henning Baer


Henning Baer has been been one of Berlin's silent assassins, slowly building his Grounded Theory empire under the cover of darkness. The soon to be label which also operates as artist agency taking care of artists such as Milton Bradley, Subjected & Moerbeck aka Vault Series and new acquisition Sawf, made its name via the now legendary Grounded Theory parties hosted at Arena Club. Henning Baer's production is as underground as it gets and this years collaboration with close friend Milton Bradley as K209 tore apart soundsystem around the world as did his angry follow up Fierce Hundred. Things only look to get bigger from here on in.

Sunday, 2 October 2011

Kowton - Dirty Little Bomb (b/w Rivet Remix) Preview



Copenhagen label Teal Records is to release 2011 break through artist of the year Kowton's fifth release.

The track entitled Dirty Little Bomb is exactly that. Kowton's gritty and bit reduced percussion slates itself between lurching synths and light pads, whilst on the flip TEA podcaster and Naked Index stalwart Adam Rivet mixes up a staggering dub power tool of the original.

Dirty Little Bomb is set for a vinyl release on the 14th of November and digital release one week later on the 21st of November.

Monday, 30 May 2011

TEA Podcast #9 - Adam Rivet


By his press pic Adam Rivet is not someone you would like to bump into down a dark alley, but by his music he is someone you would like to bump into down a dark techno club.

Adam Rivet is a relatively new comer to the international fray and to date his 3 track Inside Looking Out EP released on Frozen Border sub label Naked Index, is all that we have heard from him. If a bruising slab of Detroit tinged techno is any hint at what we should expect, then we have a lot to look forward to from the masked techno avenger.


How and where was the mix recorded?

I recorded it in my studio friday night last week. I used two turntables and an archaic rotary mixer that is falling apart, I refuse to get rid of it. I also borrowed a CDJ to play some unreleased material, thanks Henri!

What was involved in the preparation for the mix?

I just did what I always do before gigs, jam for a few days and then a grab a bunch of wax and do it. They were all some of the last vinyls I bought. I tried to play a few more "song based" tracks since I guess most people will listen to it at home. In a club I usually pick some more stripped back stuff and try to mix a bit quicker.

Tell us a bit about your relationship with electronic music. Where did it all start and how has it lead you to where you are today?

I don't remember exactly when it all happened but as a kid I loved all the typical synth pop. In the mid nineties I had older friends who introduced me to stuff like Adonis, Marshall Jefferson, Joey Beltram and Paul Johnson which really clicked for me. I didn't really go clubbing though as I was too young. Once I was old enough I felt a bit misplaced in the club scene so I stayed home with my decks and rocked it out for my parents and neighbours (laughs). In the later part of the nineties I was really into Photek and Optical but when Drum n Bass got more wobbly and super produced I quickly lost interest. Most of the 2000's I was into old stuff, going back in time and crate digging for some gems of the past, I was basically living on Discogs Marketplace. It wasn't until two or three years ago that I became in sync with the scene again as I started finding some of the "dubstep" interesting by guys like Martyn, Scuba and Pariah to name a few. It sparked an interest to follow current music again. Lately I've been really into what Basic Soul Unit, Levon Vincent and Kassem Mosse have put out, their records are actually what inspired me to send out some of my own music.


You have just released Inside Looking Out on Frozen Border sub-label Naked Index. Tell us about that.

Well I guess the title is explained in the question above. I have been making music for a very long time but I am a bit shy when it comes to showing people. When I finally gathered enough courage to send out a three track demo, Jeff of Frozen Border immediately signed the whole bunch. I was shocked, but very happy. Just 4 weeks after the initial contact the vinyl promo was out and it got some overwhelming feedback from some musical heroes of mine, it feels unreal really. Funnily most of the stores stocking it tagged it as Andy Rivet, I guess because of my shitty handwriting (laughs).

What's next for Adam Rivet?

Another EP for Naked Index, a remix for Skudge Records and two more EPs on labels that I'm not allowed to announce just yet.

What is your favourite tea?


Moroccan Peppermint.

Duration 58:38


  1. Mokira - Manipulation Musik (Kontra-Musik)
  2. Skudge - Overture (Substance Remix) (Promo)
  3. Agape Feat. Nadia Harris - Row (Basic Soul Unit Mix) (Sustainable)
  4. West Norwood Cassette Library - Blonde On Blonde (Pearson Sound Remix) (Teal)
  5. Emmanuel Jal - Kuar (Olof Dreijer Remix) (Innervisions)
  6. Scuba - Feel It (Hotflush)
  7. Lone - Coreshine Voodoo (R & S)
  8. SCB - Loss (Aus Music)
  9. Francesco Tristano - Idiosynkrasia (Ben Klock Remix) (Infiné)
  10. Phase - Transantarctic (Token)
  11. 2562 - Aquatic Family Affair (When In Doubt)
  12. Skudge - Hefty (Promo)
  13. Appleblim & October – NY Fizzzzz (Schmorgasbord)
  14. The Echolon Plan - Live Forever (Inchoate)
  15. Basic Soul Unit - In The Trunk (Room With A View)
  16. Rejected - For The People (Ben Klock Remix) (Rejected Music)
  17. Hyetal - Beach Scene (Black Acre)